Parenting and touring as a freelance singer
November 2, 2026
How I decide which engagements to accept, and what I wish I had known earlier
Soprano
LITHE AND RADIANT… QUIETLY MAGNETICThe New York Times

Soprano Maya Kherani brings gleaming precision and impassioned conviction to Baroque, Classical, and contemporary repertoire. A leading Handel interpreter, she is renowned for her Messiah, which she has sung with the New York Philharmonic (Ton Koopman), Boston Baroque, the Baltimore Symphony, and Portland Baroque Orchestra.
This season she sings Messiah with Apollo's Fire (Jeannette Sorrell) and the Rhode Island Philharmonic, Bach's Jauchzet Gott in allen Landen and Pergolesi's Stabat Mater with Boston Baroque in Marc Minkowski's inaugural season, and a debut with The English Concert and Harry Bicket as LISAURA in Handel's Alessandro in London. Her debut solo album, Solitaria, will be released on Lexicon Classics in 2027.
Career highlights include debuts at the Festival d'Aix-en-Provence and Château de Versailles Spectacles in L'incoronazione di Poppea (released on DVD) with Leonardo García-Alarcón; Sartorio's Orfeo at Opéra national de Montpellier with Philippe Jaroussky; and the title role in the world premiere of Pay the Piper at Glyndebourne. She has also worked with conductors including Václav Luks, Nicholas McGegan, Richard Egarr, Raphaël Pichon, and Patrick Dupré Quigley.
She graduated summa cum laude from Princeton University in Mechanical and Aerospace Engineering, and holds a Master of Music with honors from the San Francisco Conservatory of Music and a Professional Certificate from the Boston University Opera Institute. She lives in the Bay Area with her husband and two young children.
Apollo's Fire
Jeannette Sorrell, conductor. With Rachael Wilson, mezzo-soprano; Ed Lyon, tenor; Edward Vogel, baritone. Details
Rhode Island Philharmonic
Christine Noel, conductor. With Emily Marvosh, mezzo-soprano; Jonas Budris, tenor; Andrew Garland, baritone. Details
Apollo's Fire
Jeannette Sorrell, conductor. With Amanda Crider, mezzo-soprano; Jonathan Pierce Rhodes, tenor; Kevin Deas, bass-baritone. Details
Apollo's Fire
Jeannette Sorrell, conductor. With Amanda Crider, mezzo-soprano; Jonathan Pierce Rhodes, tenor; Kevin Deas, bass-baritone. Details
Boston Baroque
Marc Minkowski, conductor, with Aryeh Nussbaum Cohen, countertenor. Details
The English Concert
Harry Bicket, conductor. Maya Kherani sings Lisaura, with Christophe Dumaux, countertenor; Xenia Puskarz Thomas, mezzo-soprano; Alexander Chance, countertenor; Ashley Riches, baritone; Anthony Gregory, tenor; and Hugh Cutting, countertenor. Details
Handel, Messiah
Monteverdi, L'Orfeo
Handel, Partenope
Handel, Messiah
Purcell
Weill, The Threepenny Opera
Fully equal to the startling leaps and vocal pirouettes that Handel requires… Rapid-fire scales and arpeggios came out effortlessly.SAN FRANCISCO CLASSICAL VOICE
“channeled dazzling euphoria into the hairpin melismas of ‘Rejoice Greatly’ and shimmered with confidence in ‘I Know That My Redeemer Liveth’.”
“A performance that was by turns tender, vivacious and full of dazzling vocal displays.”
“a mesmerising Pied Piper […] with a song so high it vanishes into the ether.”
“Her phrasings maintain the integrity of Bach’s vocal line, never pushing too hard, never underpowered.”
“Pinpoint clarity and no‑holds‑barred declamation.”

The New York Times, June 28, 2023
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Management
Athole Still Artists
Emma Ventris
Foresters Hall, 25-27 Westow Street
London SE19 3RY
emma@atholestill.co.uk
+44 7780 315 176
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A few times a year, I'll write with news of concerts and recordings.